Updated on: 29 October 2026
Art Deco architecture is the decorative modern style of the 1920s and 1930s: symmetrical, vertical buildings with stepped setbacks, stylized geometric ornament (zigzags, chevrons, sunbursts) and modern materials such as steel, chrome and glass beside marble and bronze. It is named after the 1925 International Exhibition of Modern Decorative and Industrial Arts in Paris, although the term "Art Deco" itself only appeared in the 1960s.
This guide explains where the style came from, how to recognize an Art Deco building, its three main types, how it differs from Art Nouveau, 12 famous buildings with their architects and years, and where to see Art Deco today. For the styles that came before and after it, see our overview of architectural styles.

What Is Art Deco Architecture?
Art Deco is a decorative modern architectural style that combines geometric form, stylized ornament, and industrial age materials. The name comes from the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, but nobody used it at the time: in its own day the style was called "style moderne" or simply modern. "Art déco" first appeared in print in 1966, in the title of an exhibition at the Musée des Arts Décoratifs in Paris, and Bevis Hillier's 1968 book Art Deco of the 20s and 30s made it the common label.
In architectural terms, Art Deco occupies a position between Beaux Arts classicism and stripped Modernism. It embraces tall buildings, dense urban settings, and new construction technologies. However, it expresses modernity through visual richness rather than pure functional simplicity.
Typical Art Deco buildings share several defining characteristics:
Geometric and symmetrical composition
Strong vertical emphasis, especially in high rise structures
Stylized ornament, including zigzags, chevrons, and sunbursts
Use of modern and luxury materials, such as stone, metal, glass, terrazzo, and lacquer
Art Deco architecture developed from several early 20th century artistic currents. It first appeared in Paris in the 1910s: Auguste Perret's Théâtre des Champs-Élysées (1910–1913) is considered its first landmark. Its geometric clarity reflects Cubism and the Vienna Secession, while its color and pattern draw from Ballets Russes stage design and Fauvism. Designers also adapted motifs from ancient Egypt, especially after the excavation of Tutankhamun's tomb, from pre-Columbian cultures and East Asian decorative traditions, and from the machine age itself.
The defining milestone was the 1925 Paris exhibition, held from 29 April to 8 November 1925 between Les Invalides and the Grand and Petit Palais. It brought together 15,000 exhibitors from twenty countries and drew more than 16 million visitors; the United States did not take part and Germany was not invited. It confirmed broad interest in a modern yet luxurious aesthetic, and the style spread rapidly through Europe and the Americas.
During the late 1920s and 1930s, Art Deco matured in several building sectors: North American skyscrapers, European civic and transport buildings, and cinemas, hotels, and shops worldwide. After the stock market crash of 1929 the style grew plainer, and in the 1930s it divided into the three types described below, from the ornate Zigzag Moderne to the smooth Streamline Moderne.
Key Characteristics and Components of Art Deco Architecture
Forms and Composition
Art Deco buildings are often recognizable by their massing and silhouette. Architects used stepped profiles and setbacks in tall buildings, creating the well known wedding cake form. Vertical piers and grouped windows pull the eye upward and reinforce a sense of height.
Façades are usually symmetrical and clearly organized around central axes or repeated bays. In New York, the 1916 Zoning Resolution set height-to-setback rules and limited towers to 25% of the lot, and Hugh Ferriss's massing studies of 1922 made the resulting stepped forms famous. Architects turned this answer to the law into a symbol of upward progress and technological confidence.
Ornament and Motifs
Ornament in Art Deco architecture is abstract and stylized rather than literal. Designers reduced natural and historical references into clear geometric patterns that could be repeated efficiently. Common motifs include:
Zigzag and chevron patterns on friezes and spandrels
Sunburst designs used in crowns, doors, and metal panels
Stylized floral and organic forms reduced to curves and facets
Ancient cultural references filtered through geometric design
Machine age symbols such as gears, speed lines, and emblems
The Chrysler Building crown in New York is a classic example: seven terraced arches clad in Nirosta stainless steel form a sunburst pierced by triangular windows, and the setbacks below carry ornaments shaped like car hood ornaments, hubcaps, and eagles.
Materials and Technology
Art Deco architecture made extensive use of early twentieth century construction advances. Steel frames and reinforced concrete allowed taller structures and more flexible interior layouts. These systems also enabled thin façade cladding and precise ornament.
Typical materials include stone, brick, and terra cotta cladding, often combined with decorative metal. Aluminum, chrome, and stainless steel appear on crowns, doors, and spandrels; Detroit's Guardian Building even used Monel metal in place of brass and bronze. Interiors frequently feature glass blocks, terrazzo floors, lacquered wood, and inlaid metal, reinforcing a sense of luxury and modernity.
Art Deco Building Types and Programs
The style adapted easily to many building functions, which supported its rapid global spread. Common Art Deco building types include:
Skyscrapers and office buildings
Cinemas and entertainment venues
Hotels and seaside resorts
Railway stations and transport facilities
Residential apartment blocks
How to Identify an Art Deco Building
Look for several of these features together; one alone is not enough, because many buildings of the period mix styles:
Symmetry, with a strong central axis or entrance.
Stepped setbacks or a stepped parapet, often rising to a tower or crown.
Vertical piers and grouped windows that make the facade look taller.
Stylized low-relief panels: zigzags, chevrons, sunbursts, fountains, and stylized plants.
Metal and glass details: chrome, aluminum, or stainless steel on doors, grilles, and crowns, and glass block.
An emphasized entrance, often framed by a relief panel.
Lettering, lighting, and signs designed as part of the facade.
In Streamline buildings: rounded corners, long horizontal lines, round porthole windows, and pipe railings.
Art Deco Colors
There is no single Art Deco palette. RIBA describes the style through its "bold geometric shapes and bright colours", and the Art Deco Society of Los Angeles points to vibrant or dramatic color on the facades of the early, Zigzag buildings, against the monochrome stone of the Beaux-Arts buildings before them. Much of the color also came from the materials: polished stainless steel and chrome, bronze, terracotta, lacquered wood, and terrazzo. Miami Beach's official tourism site calls its district's version of the style "sleek and bright".
Types of Art Deco: Zigzag, Streamline and Classical Moderne
The Art Deco Society of Los Angeles names three main architectural variations, and they roughly follow the economy: the exuberant Zigzag style of the late 1920s gave way, after the stock market crash and during the Depression, to the more restrained Streamline and Classical Moderne.
Zigzag Moderne
Also called Jazz Moderne, this is the earliest type. In the United States it traces back to the Chicago Tribune Tower competition of 1922 and the rendering studies of Hugh Ferriss. It reworks the vertical lines of Gothic architecture with setbacks, rich stylized ornament (zigzags, chevrons, stylized plants), and often vivid color on the facade. Claud Beelman's Eastern Columbia Building in Los Angeles is a typical example.
Streamline Moderne
Streamline Moderne emerged in the 1930s, inspired by the aerodynamic trains, cars, ships, and airships of the time. It turns Art Deco horizontal: low horizontal lines, rounded corners, round porthole windows, glass block, pipe railings, and very little ornament, so that some buildings look like ships on land. Oliver Hill's Midland Hotel in Morecambe, England (1933), is a well-known example.
Classical Moderne (WPA or PWA Moderne)
This type is found mostly in the New Deal projects funded by the WPA and the PWA: post offices, city halls, schools, and other government and institutional buildings of the mid-to-late 1930s. It reinterprets a Beaux-Arts or neoclassical architecture building with highly stylized, pared-down classical ornament, which suited budgets as the Depression wore on and the Zigzag style came to look excessive and expensive.
Art Deco vs Art Nouveau: What Is the Difference?
Art Nouveau came first. Popular between about 1890 and 1910, it drew sinuous, flowing lines from plant forms and worked them into iron, glass, and ceramics; by 1914 it was largely exhausted, and in the 1920s Art Deco took its place. Art Deco kept the love of ornament but straightened it: the curve of the plant stem became the zigzag, the setback, and the machine.
Feature | Art Nouveau | Art Deco |
|---|---|---|
Period | About 1890–1910 | About 1910–1940, at its height from 1925 to 1940 |
Lines | Sinuous, asymmetric curves | Straight lines, symmetry, setbacks; smooth horizontal curves in Streamline |
Motifs | Plant stems, flowers, flowing organic shapes | Zigzags, chevrons, sunbursts, stylized plants, machine symbols |
Materials | Iron, glass, ceramics | Steel, reinforced concrete, chrome, stainless steel, glass block, terrazzo |
Key works | Victor Horta's Hôtel Tassel, Brussels (1893); Hector Guimard's Paris Métro entrances (about 1900–1913); Antoni Gaudí's Casa Batlló, Barcelona (remodeled 1904–1906) | Théâtre des Champs-Élysées, Paris (1913); Chrysler Building (1930) and Empire State Building (1931), New York |
Other names | Jugendstil, Secession, stile Liberty, modernismo | "Style moderne" in its day |
One building shows both: Mexico City's Palacio de Bellas Artes, begun in 1904 by Adamo Boari and completed in 1934 by Federico Mariscal, is mainly Art Nouveau and neoclassical outside and Art Deco inside. For the earlier style in depth, see our guide to Art Nouveau architecture.
How Were Art Deco Buildings Designed and Built?
Many American architects of the period were trained in Beaux-Arts composition, which emphasized hierarchy, symmetry, and a clear plan; William Van Alen, the Chrysler Building's architect, later taught at the Beaux-Arts Institute of Design in New York. These principles shaped how projects developed from urban scale to architectural detail.
Design usually began with massing studies fitted to the zoning envelope and to sight lines. Façade patterns and ornament were coordinated with structural grids, so that decoration reinforced the rhythm of the building rather than obscuring it. Corporate symbols and machine-themed reliefs often communicated function and identity.
Material coordination was central to the process. Stone, metal, glass, and interior finishes formed a unified visual narrative. Electric lighting and neon were treated as architectural elements, especially in cinemas and shopping streets: RIBA notes that neon strip lighting emphasized the streamlined lines of the designs and that mirrors were used to enhance and reflect.
Electric light was part of the design, so these facades were meant to be seen after dark as well as by day. To see your own design that way, upload a photo, a sketch, or a model view to ArchiVinci's AI render generator, describe the materials in a sentence, for example "cream stone, stepped parapet, vertical piers, a sunburst panel over the entrance, chrome details", and compare the Golden hour and Twilight lighting buttons. Each run generates a new image that follows your upload, in seconds; Twilight gives dusk with the lights on. Many results are ready to show a client, and using them for client work needs an active plan (plans are on the pricing page).

Example from our AI render page (a modern house, not an Art Deco design), made in the Exterior module on the default engine from one uploaded picture of a house without materials and the prompt "Modern house with white plaster walls, timber cladding on the upper floor, large glass openings, a lawn and a few trees." Left: the Golden hour button. Right: the Twilight button.
Render an Art Deco facade concept Upload a sketch or a massing view, name the style and the materials in a sentence, and ArchiVinci renders a photorealistic version that follows your image. A new account starts with 3 free credits. |
12 Famous Art Deco Buildings
These twelve buildings, in date order, show the style from its Paris beginnings to the 1930s in the Americas, Europe, and Asia (facts checked in October 2026).
Building | City | Architect | Year | What to look at |
|---|---|---|---|---|
Théâtre des Champs-Élysées | Paris | Auguste Perret | 1910–1913 | Often named the style's first landmark |
Guardian Building | Detroit | Wirt Rowland | 1928–1929 | 43 storeys; Monel metal instead of brass and bronze |
Sassoon House | Shanghai | – | 1929 | Built for the Cathay Hotel; now the Fairmont Peace Hotel |
Chrysler Building | New York | William Van Alen | 1930 | The stainless steel sunburst crown |
Eastern Columbia Building | Los Angeles | Claud Beelman | 1930 | Turquoise terracotta and a 264 ft clock tower |
Empire State Building | New York | Shreve, Lamb & Harmon | 1931 | 102 storeys, built in one year and 45 days |
Radio City Music Hall | New York | Edward Durell Stone, with interiors by Donald Deskey | 1932 | The world's largest auditorium when it opened |
Hoover Building | London | Wallis, Gilbert and Partners | 1933 | Grade II* listed, in Perivale |
Midland Hotel | Morecambe | Oliver Hill | 1933 | Streamline Moderne in concrete and rendered brick |
Palacio de Bellas Artes | Mexico City | Adamo Boari, Federico Mariscal | 1934 | An Art Deco interior behind an Art Nouveau and neoclassical exterior |
RIBA, 66 Portland Place | London | Grey Wornum | 1934 | The home of the Royal Institute of British Architects |
Kavanagh Building | Buenos Aires | Gregorio Sánchez, Ernesto Lagos, Luis María de la Torre | 1936 | Latin America's tallest building when it opened |
Théâtre des Champs-Élysées, Paris (1910–1913)
Auguste Perret's theatre, finished in 1913, is often named the first landmark of Art Deco, more than ten years before the exhibition that later gave the style its name.
Guardian Building, Detroit (1928–1929)
Wirt Rowland's 43-storey tower used Monel metal in place of brass and bronze for its metalwork. It became a National Historic Landmark in 1989.
Sassoon House, Shanghai (1929)
Completed in 1929, Sassoon House first housed the Cathay Hotel. Today it is the north building of the Fairmont Peace Hotel.
Chrysler Building, New York (1930)
William Van Alen's tower, completed in 1930, reached 1,046 ft (319 m) and was the tallest building in the world for 11 months. Its crown is described in the ornament section above; New York made the building a landmark in 1978.
Eastern Columbia Building, Los Angeles (1930)
Claud Beelman's 13-storey building opened on 12 September 1930, clad in turquoise terracotta. Its clock tower, allowed above the city's height limit of the time, reaches 264 ft (80 m) and carries the word "EASTERN" in white neon on each face.
Empire State Building, New York (1931)
Designed by Shreve, Lamb & Harmon, the 102-storey tower was built in a record one year and 45 days: construction began on 17 March 1930, and the building opened on 1 May 1931 (Empire State Building history).
Radio City Music Hall, New York (1932)
Opened on 27 December 1932 in Rockefeller Center, the hall was designed by Edward Durell Stone, with interiors by Donald Deskey. Its 5,960 seats made it the world's largest auditorium when it opened, and its stage machinery includes a backstage hydraulic system.
Hoover Building, London (1933)
Wallis, Gilbert and Partners designed this building for the Hoover company in Perivale, west London. It opened on 2 May 1933 and is Grade II* listed.
Midland Hotel, Morecambe (1933)
Oliver Hill's hotel in the seaside town of Morecambe opened in July 1933. Built in concrete and rendered brickwork, it is a Streamline Moderne building, one of those RIBA picks for its own Art Deco selection, and it is Grade II* listed.
Palacio de Bellas Artes, Mexico City (1934)
Begun in 1904 by Adamo Boari and completed in 1934 by Federico Mariscal, the palace is mainly Art Nouveau and neoclassical outside, while its interior is Art Deco.
RIBA, 66 Portland Place, London (1934)
Grey Wornum designed the headquarters of the Royal Institute of British Architects in 1934. As of October 2026 the building is closed, and RIBA lets visitors use its library and photograph collections at other London sites.
Kavanagh Building, Buenos Aires (1936)
Designed in 1934 by Gregorio Sánchez, Ernesto Lagos and Luis María de la Torre, the 120 m tower opened in 1936 as the tallest building in Latin America and the tallest reinforced concrete building in the world at the time. It is sometimes classified as Art Deco: its design combines modernism and Art Deco with a rationalist approach.
Art Deco Architects and Designers
Art Deco was a style of many hands rather than of one master. These are the names behind the buildings above, and two more:
Auguste Perret: the Théâtre des Champs-Élysées in Paris.
William Van Alen: the Chrysler Building in New York.
Shreve, Lamb & Harmon: the Empire State Building in New York.
Hugh Ferriss: his massing studies of 1922 made the stepped skyscraper famous.
Wirt Rowland: the Guardian Building in Detroit.
Claud Beelman: the Eastern Columbia Building in Los Angeles.
Edward Durell Stone and Donald Deskey: Radio City Music Hall, its architecture and its interiors.
Wallis, Gilbert and Partners: the Hoover Building in London.
Grey Wornum and Oliver Hill: RIBA's headquarters in London and the Midland Hotel in Morecambe.
Paul Landowski with Heitor da Silva Costa: Christ the Redeemer in Rio de Janeiro.
For the wider story of the profession's best-known names, see our list of famous architects.
Art Deco Houses and Interiors
An Art Deco house uses the same vocabulary at a smaller scale. A Streamline house shows smooth rendered walls, rounded corners, long horizontal lines, round porthole windows, glass block, pipe railings, and very little ornament. A house in the earlier, Zigzag manner relies instead on a symmetrical front, a stepped parapet, and an entrance framed by geometric relief. For how these compare with other looks, see our guide to house styles.
To try a Streamline look on your own house, upload a photo of it to ArchiVinci's AI exterior design tool and describe it in one sentence, for example "smooth white render, a rounded corner, three horizontal speed lines, a glass-block window, a flat roof behind a parapet." There is no style menu: your sentence carries the look, and every run generates a new image that follows your photo.
Try an Art Deco look on your own house Upload a photo of your house and describe the style in a sentence: ArchiVinci generates a new image that follows your upload, in seconds. A new account starts with 3 free credits. |
What Makes a Room Art Deco?
Symmetry, geometry, and rich materials. Typical Art Deco interiors combine lacquered wood, inlaid metal, terrazzo floors, and glass, use mirrors and built-in lighting to add glow, and repeat geometric patterns such as chevrons and sunbursts on floors, walls, and fabrics. Donald Deskey's interiors for Radio City Music Hall are a famous public example.
To test the look in your own room, upload a photo of it to ArchiVinci's AI interior design tool and describe it in a sentence, for example "black lacquer, brass inlays, a fan-pattern wallpaper, a velvet sofa, a geometric terrazzo floor." Then compare the Warm light and Ambient buttons: each run generates a new image that follows your photo, in seconds.
Where to See Art Deco Architecture Today
Art Deco architecture represents a critical transition between historicism and full Modernism. It shows how early modern buildings could adopt new technologies without abandoning ornament, and it proved effective at expressing corporate identity, civic ambition, and urban spectacle. Whole districts of it survive; these are the places with the most to see:
Miami Beach, Florida: the Art Deco Historic District, on the National Register of Historic Places since 1979, has "some 800 designated historic buildings" in Art Deco, Mediterranean Revival, and MiMo (Miami Modern) styles, and what the official tourism site calls the nation's largest concentration of Art Deco architecture. The Miami Design Preservation League, active since 1976, runs guided walking tours.
New York: the Chrysler Building, the Empire State Building, and Rockefeller Center with Radio City Music Hall.
Napier, New Zealand: rebuilt in Art Deco after the 1931 Hawke's Bay earthquake; the Art Deco Trust runs guided tours and the Art Deco Festival every February.
Mumbai, India: the Victorian Gothic and Art Deco Ensembles of Mumbai became a UNESCO World Heritage Site in 2018. The Art Deco buildings line the west side of the Oval Maidan, along Back Bay Reclamation and Marine Drive, and the site covers 94 buildings in all; Art Deco Mumbai keeps an inventory.
Shanghai, China: Sassoon House (1929), now part of the Fairmont Peace Hotel.
Rio de Janeiro, Brazil: Christ the Redeemer (1922–1931), by Paul Landowski with Heitor da Silva Costa, 30 m of reinforced concrete and soapstone, described as the largest Art Deco–style sculpture in the world.
Buenos Aires and Mexico City: the Kavanagh Building and the interior of the Palacio de Bellas Artes.
England: the Hoover Building and RIBA's 66 Portland Place in London, and the Midland Hotel in Morecambe.
In Paris, the Musée des Arts Décoratifs marked the centenary of the 1925 exhibition with "1925-2025. Cent ans d'Art déco", nearly 1,000 works shown from 22 October 2025 to 26 April 2026. The style's geometry and contrasts of material also return in new interiors; see our interior design trends report.
Advantages and Limitations of Art Deco Architecture
Art Deco offers several enduring advantages. It provides a clear visual identity that cities can use for cultural recognition. The style adapts to many building types and scales, while encouraging collaboration between architects, artists, and craftsmen.
However, it also presents limitations. Construction and maintenance costs can be high due to complex detailing and premium materials. The style conflicted with mid century minimalist ideals, and today preservation rules can complicate energy upgrades and accessibility improvements.
Common Misconceptions About Art Deco Style
Not all 1920s and 1930s buildings are Art Deco. Many belong to neoclassical, eclectic, or International Style traditions that prioritize functional expression. The style is also not limited to Europe or North America, with major ensembles in Mumbai, Shanghai, and Rio de Janeiro.
Streamline Moderne is sometimes treated as a separate style; it is better understood as a later branch of Art Deco that smooths forms and emphasizes horizontal movement (see the types above). Finally, Art Deco is not only about luxury. Many schools, housing blocks, and public facilities used simplified Deco elements to convey modernity at modest cost.
Key Takeaways
Art Deco architecture is the decorative modern style of the 1920s and 1930s, named after the 1925 Paris exhibition; the term itself dates from the 1960s.
It combines symmetry, setbacks, stylized geometric ornament, and modern materials such as steel, chrome, and glass block.
It has three main types: Zigzag Moderne, Streamline Moderne, and Classical (WPA) Moderne.
It followed Art Nouveau and turned its plant curves into geometry and machine forms.
Its best-known buildings include the Chrysler and Empire State Buildings and Radio City Music Hall in New York, and the Kavanagh Building in Buenos Aires.
Miami Beach, Napier, and Mumbai keep whole districts of it; Mumbai's ensembles have been a UNESCO World Heritage Site since 2018.
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Frequently Asked Questions
Why Did Art Deco Architecture Decline After the 1930s?
Art Deco declined as a result of economic constraints following the Great Depression, which favored cheaper and plainer buildings, and the growing influence of functionalist modernism, which favored simplicity, efficiency, and reduced ornamentation. World War II ended the period: in the United States, wartime building restrictions stopped the style's last variants, and after the war architects turned to the Modern Movement.
How Does Art Deco Architecture Differ From International Style Modernism?
Art Deco emphasizes ornament, symbolism, and visual identity, while International Style modernism, associated with the Bauhaus, prioritizes functional expression, minimalism, and the absence of decoration.
What Role Did Art Deco Play in Corporate and Commercial Architecture?
Art Deco allowed corporations to communicate progress, power, and modernity through monumental forms, branded ornament, and symbolic architectural imagery.
Is Art Deco Architecture Still Influencing Contemporary Design?
Yes. Contemporary architecture and interior design continue to reference Art Deco through geometric patterns, material contrast, vertical emphasis, and stylized detailing.
How Did Zoning Laws Shape Art Deco Skyscraper Design?
New York's 1916 Zoning Resolution set height-to-setback rules and limited towers to 25% of the lot. Architects answered with stepped massing and setbacks, the "wedding cake" profile that became a defining feature of Art Deco skyscrapers.
What Challenges Are Involved in Preserving Art Deco Buildings Today?
Preserving Art Deco buildings involves challenges such as restoring aging materials, maintaining complex ornament, improving energy performance, and complying with modern building codes while protecting heritage value.
Which US City Has the Most Art Deco Buildings?
Miami Beach. Its Art Deco Historic District, listed on the National Register of Historic Places since 1979, has some 800 designated historic buildings and, according to the official tourism site, the nation's largest concentration of Art Deco architecture. New York has the best-known Art Deco towers: the Chrysler and Empire State Buildings.
What Is the Most Famous Art Deco Building?
There is no official ranking, but New York's Chrysler Building (1930), with its stainless steel sunburst crown, is the example most often shown, followed by the Empire State Building (1931). Outside the United States, Christ the Redeemer in Rio de Janeiro is described as the largest Art Deco–style sculpture in the world.
Is Art Deco Modernism?
Art Deco is modern, but it is not Modernism. It used new materials and was called "style moderne" or modernistic in its day, yet it kept the ornament that the Modernists of the International Style rejected. According to the Art Deco Society of Los Angeles, Art Deco paved the way for the Modern Movement that followed World War II.
What Are the Three Types of Art Deco?
Zigzag (or Jazz) Moderne, the earliest and most ornate; Streamline Moderne, smooth and horizontal; and Classical (or WPA) Moderne, a pared-down classicism used for public buildings in the 1930s. The types section above describes each with an example.
